If y'all are current on cholera and dengue shots, I'll invite you inside my home studio/print shop.
It's a small bedroom w/bath on the NW side of the house. Mrs. Canecutter abandoned it to me more than a decade ago and is not to blame for anything you see.
What's got me jazzed is this large battered shelf thing that I got as a gift from a gallery. It doesn't look like much, but ohhhh... It's Fortune and Glory kids, Fortune and Glory.
Up til now, I had table space for drying maybe $200/day of block prints. You can knock those out in a long hour, but then I was cramped and had to stop.
This thing will hold an extra $1,200/day of production. That will be tiring, but my goblin greed is strong. I can take all my designs and do a good chunk of each, and have them all dry at the same time.
I think it'll easily jimmy back into that space in front of the west window you see behind it, get some good beat-down warm sun on the prints. In art school I always heard about how painters craved the north light, but I suspect that had to do with expats freezing in a Paris loft while begging maMA and paPA for more money. Me I like bright colors, bright light, and heat.