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  1. Past hour
  2. Gil Bang replied to Gil Bang's topic in Music
    well said. I'm in the same boat.
  3. If you have ever seen the special needs kids fight in school, you'll recognize this immediately
  4. I’m In the construction business, not just California bud. Dare I say EVERRRYYYYOOONNNNEEE!!!
  5. oh hell yeah
  6. Another limp dick Herbert/Chargers playoff exit.
  7. TwiceHorn replied to Neonmoon's topic in Cloak Room
  8. Most of the 9.95ers felt UT need 4 OL (if not more) before the portal opened & UT lost Kibble/Cruz/Neto. So no way UT only takes 2 portal OL.
  9. We don't play Kentucky next year. Would be funny to see them boomerang back if successful
  10. sidis replied to Lurch's topic in Music
    i would definitely start with familiarizing yourself with a real daw. it is the centerpiece of being able to do what you want to do. garageband is great as an introduction and if you gave it to [insert your favorite artist], they would turn out something awesome but the reality is, it is a bit of a toy version of a daw. the two i know the best and i think fit your initial primary goals as well as long-term goals are pro tools and logic. pro tools is the standard, period full stop. every professional studio, every professional mixer, every professional of any type is going to use and know pro tools for recording and mixing. but i love logic and i think it is the most conducive to composing music because it does such a better job of integrating writing tools and samples/midi instruments than pro tools. and recording in logic is really good once you get the hang of it. you won't go wrong with either of those imo and learning how to use them is an essential first step. cubase is great for composition as well but it's a bit more niche. unless you are doing edm as your primary genre, i wouldn't really recommend ableton personally. but everyone's mileage varies and there are a million people that would disagree with me. but as someone who has been down the rabbit hole on them, if you are going to record everything with a mic or DI, then pro tools is a no brainer. if you are going to use a lot of midi/software instruments, then logic is a no brainer. logic is also one of the only remaining perpetual licenses in daws. everything is moving to annual subscriptions. other people love FL, studio one, and there are others but the horsepower behind pro tools, logic, and cubase make them the standards for most pros. so you will need a daw. logic is like 200 or 300. the pro tools artist sub is like $150 a year or something. you will need some external hard drives. just warning you now. recordings, plugins, software instruments, etc..., they take up a lot of hard drive space so just prepare yourself for that. the computer has the horsepower to get you going. budget some cash for that. for basic playing and recording, the computer is the first key. next key is an audio interface/converters. sounds like you have a scarlet and that will get the job done for sure. i love them because they make it possible for everyone to do this at an affordable price and they are simple plug and play. the next step up you will take will likely be to a UA apollo. i have a neumann mt48 and i love it but it is overkill for getting the basic infrastructure in place and it is going to blow your whole first year budget...however, what is really nice about it and the apollo is that they has really good preamps built into it so you don't have to spend a bunch of money on an outboard pre amp. if you are going to be recording using mics, then you will need a preamp to boost the mic signal to a line signal. you can do some of that with the scarlet but the quality will be lacking. familiarize yourself with gain staging and also familiarize yourself with best practices with connecting and disconnecting mics, especially when to turn on and turn off 48V power to the mics after connecting and prior to disconnecting. so i would get a scarlet 2i2 or 4i4. there's $200 down. you need xlr and trs cables to reach around the room so there's another $100-200. next you need mics. since we are talking about basic infrastructure here and just getting things down from guitars, bass, drums, and vocals, just like the scarlet...there is a mic company called shure that is here to make your dreams come true. the sm57 and sm58 mics. affordable, durable, predictable, and damned if they aren't a part of every professional mic locker on earth. they are dynamic mics but for our basic infrastructure here, they are $100 each and they can cover so much ground for you. probably makes sense to get 1 sm58 and 2 sm57s (for stereo sound capture). there's $300. next you need headphones for tracking and listening back and mixing as you go. there are people that will murder each other over this debate and there's nothing i can do to save you from that...but this is an area where i would probably invest some money to go above the introductory stuff. beyerdynamics is probably the most affordable. for tracking, you want closed back headphones and for mixing, you want open back. the DT770s and DT990s are good. i use audeze LCD for tracking and closed back and i used neumann ndh30s for open back but they will blow your budget again. i think beyerdynamic would be a great compromise and they are fucking fantastic cans that many pros use. they will not be the reason your music sucks. they are $150-300ish. on monitors, i'm the wrong person to ask because i will have you selling crack to kids to pay for some top of the line shit to stuff in a tiny bedroom and that is not the right path at all. there's lots of good options out there. adam, focal, yamaha...lots of great options that suffice completely for bedroom production. but this will be a big expense. also, if you're getting decent monitors, get some decent monitor stands with iso pads or put iso pads on your desk. this is going to be a big budget suck unfortunately. midi controller, you need to decide what kind of keys you need...synth action or piano bed hammer action. that drives a lot of what you will end up getting but unless you are creating legit piano performances through midi, you don't need 88 keys. 49 and 61 are totally sufficient for midi composition. i have the native instruments komplete kontrol S61 and enjoy it. i also have a roland a-88 and love it. this is a pretty personal thing on preferences. third party plugins that you need regardless of whether or not you go with pro tools, logic, or whatever... FabFilter Pro-Q4, no negotiating, no arguing, you must have this. A good reverb plugin, Valhalla makes a lot of really great ones for $50 each and they are fucking amazing. on getting things a bit more pro sounding on the back end, check out izotope's products. they can really help you get more polish. some other knick knacks to help, bass traps for the corners of the room will probably help. with all that, you will be in business and ready to start getting stuff down. these are just my opinions formed from spending way too much time making every possible mistake going down the path you're headed. the thing you will find out about the music production world is that every asshole has a lot of strong opinions about what is wrong and what is right (gearspace, vi control, etc... will make you hate humanity at times) and you have to figure out what works for you...but i think i've touched on most of the starting points. if you want to flesh any of this out in more detail, just say it and we can go farther down in the weeds on something specific.
  11. "Dislocation" gives a new meaning to "finger blast."
  12. That's so funny the last time I heard that I fell off my DINOSAUR.
  13. Herbert shouldn't get a pass for this, he's sucked
  14. Herbert's Josh Allen interpretation is not good. that play was like a NASCAR restart after a yellow.
  15. Herbert doing nothing to silence his doubters
  16. Think Herbert will be ok. Ton of $$ and swimsuit model waiting at home
  17. Damn, Herbert getting murdered back there. He needs a new organization.
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